⚠️ Frames become braced, not balanced — rigid, over-squeezed, and prone to collapse under load.
Proper cue: “Shape the frame with tone, not tension.”
Better cue: “Stay lifted into the frame, not collapsed onto it.”
What it should be: “Meet the leader’s tone with matching tone — not pressure.”
I know exactly the coach you’re referencing (no names, but their initials rhyme with “TV show” 😆). The “five pull” refers to specific engagement points — spine, shoulder blade, lat, elbow, and wrist — supposedly “drawing toward” the leader.
While anatomically plausible…
❌ It often results in an inward collapse rather than controlled containment. ✅ A better teaching point would be segmental alignment with rotational elasticity.
Assuming correct posture and tone:
“The Follower maintains the connection. The Leader sets the hand, but it’s the Follower’s back that says ‘I’m still here.’ Connection isn't a push — it's a presence.”
“The connection at the shoulder follows the same principle as the hands: contact is preserved by an equal and opposite compressive force, maintained by each dancer with stability and awareness rather than brute strength.”
Principle | Hands (Leader RH & Follower LH) | Shoulder (Leader RH & Follower scapula) |
---|---|---|
Mutual responsibility | ✅ Yes – both must maintain contact | ✅ Yes – scapula stability is crucial |
Compression, not tension | ✅ Yes – like gently pressing palms | ✅ Yes – RH presses in, back resists out |
Not “gripping” | ✅ No squeezing or clamping | ✅ No pulling or pinching |
Force range | ~1–5N depending on tone | ~2–6N (slightly more for broader contact) |
Failure mode | Grip too tight = tension / too loose = disconnect | Pushing too hard = lean / too little = loss of contact |
Maintained by... | Muscular tone in forearms / shoulder joint | Scapular control (traps/lats) and frame awareness |
Connection | Household Equivalent |
---|---|
Hands | Holding a slice of bread between palms without squishing it |
Shoulder | Balancing a folded kitchen towel on your shoulder while someone gently presses on it |
The Leader’s Right Hand to Follower’s Shoulder Blade connection operates under the same principle as hand-to-hand contact:
In both cases, it is not the placement that matters most, but the maintenance.
Good connection is quiet. It’s present. It doesn’t grip, pull, or shove. It listens and responds.
Factor | Leader | Follower |
---|---|---|
Initiates contact | ✅ Yes – places hand at setup | |
Maintains contact | ❌ Not directly – RH can’t “chase” the scapula | ✅ Yes – must maintain tone |
Direction of force | Inward + slightly upward | Opposes it, holds scapula steady |
Failure mode | Loss of contact if Follower "escapes" | Sudden jerk if Follower collapses |
Key skill | Framing with forearm + awareness | Stabilizing back via Lat & Trap engagement |
Assuming correct posture and tone:
Place a soft sponge or foam pad on the Follower’s left scapula:
“The Follower maintains the connection. The Leader sets the hand, but it’s the Follower’s back that says ‘I’m still here.’ Connection isn't a push — it's a presence.”
The shoulder-blade connection must be mutually maintained via compressive force. If one partner stops providing that force (or over-applies it), the connection either collapses or becomes unstable (aka “heavy”).
We will simplify the model (as all models do), but base it on biomechanical facts:
\($ F_L = F_F \Rightarrow \text{Contact maintained, no net motion}\)$
\($ F_L > F_F \Rightarrow \text{Follower is pushed away or off balance}\)$
\($ F_L < F_F \Rightarrow \text{Contact is lost (gap in the frame)}\)$
Using:
Then:
\[ F = m \cdot a \Rightarrow F_L = 85 \cdot 0.5 = 42.5\,N\]
\[ P = \frac{F}{A} = \frac{42.5}{0.005} = 8500\,\text{Pa (Pascals)} \approx 0.085\,\text{atm}\]
That’s barely more than the pressure you use to close a Ziploc bag.
So if either partner fails to maintain even this tiny pressure, the connection is lost.
The Leader's frame, especially the right hand on the follower’s scapula, forms a torque system. If the forces aren’t balanced, the system rotates or collapses.
\[ \sum \tau = \tau_{\text{ccw}} - \tau_{\text{cw}} = 0\]
Where:
Assume the spine is the rotational axis (pivot), the shoulder blade is the lever arm.
Case 1:
\[ \tau_L > \tau_F \Rightarrow \text{Follower gets pushed off-balance, frame collapses inward}\]
Case 2:
\[ \tau_L < \tau_F \Rightarrow \text{Contact lost, gap forms between hand and scapula}\]
Only if:
\[ F_L = F_F \Rightarrow \sum \tau = 0 \Rightarrow \text{Stable connection maintained}\]
Imagine your torso is a lever, your spine is the fulcrum, and someone’s pushing on one side. Unless someone else is pushing back exactly the same amount from the other side, you rotate. Not because of magic, but because of torque.